Showing posts with label michael turner. Show all posts
Showing posts with label michael turner. Show all posts

Wednesday, July 8, 2009

Solutions for Supergirl...

Sorry about taking so long to post this, I was called away from HQ to investigate reported sightings in Northern Canada of Alpha Flight, Canada's premier superhero team. While I was unable to find them I spent some quality time with a chipmunk, who was more than happy to eat from my hand and promised to alert me to the presence of any badly dressed costume commandos. In case you happen to spot them, this is what Alpha Flight looks like, and as you can see most of them are in desperate need of a makeover. But this post is about Supergirl, who is slightly related to Alpha Flight in that her cousin was created by Canadian born artist Jerry Seigel (with American born writer Joe Shuster) which can only lead one to suppose that in Shuster's mind Canada must be Krypton, and reveals the fact that Americans' fear its eventual overtaking of the world with its superior glacier technology. This also explains the chunky icy look in the film adaptations of the great planet Krypton--where fashion logic does not resemble our Earthly logic. Thankfully Canadians as a society dress better than Kryptonians (we tend to keep our underwear under our clothing) and avoid shiny glow-in-the-dark polyester robes. Supergirl is a character who has had a hard time getting out from under the shadow of her older, more established male cousin. Often portrayed as a female copy of Superman, yet emotional, more gullible and seemed to possess the unspoken super power of falling in love with the villain in disguise. While I find that amusing I'd like to see Supergirl become tougher (and she certainly has since Kara Zor-El was re-introduced into the mainstream DCU by writer Jeph Loeb and artist Michael Turner--read the collected issues in the Superman/Batman TPB "Supergirl"). While still maintaining her sweetness, youthfulness and exuberance she still wasn't afraid to let loose with the heat vision. So I took direct inspiration from her cousin's look and tried to give her a more imposing and powerful look. Her long sleeve mid-riff baring top has been replaced with a no sleeve blue bodysuit and yellow belt with red shorts, red boots and red gloves. I wanted something with clean lines and no cape, as both Superman and Supergirl wear their costumes under their clothes and capes tend to add a lot of bulk. I love a cape as much as the next guy, and certainly Supergirl has little to fear from cape catastrophes I still thought it might be nice to try a capeless look for the Girl of Steel. With that in mind and again looking to Jeph Loeb's re-vamp of the character I decided that I'd like to see a more obvious Amazon influence in her costuming as she states the fact that part of her uniform takes its inspiration from Amazonian culture. While Supergirl generally needs no armour I liked the idea of a stylized breast plate with a reinforced leather bodice and thought the Amazons' would likely have awarded her bracelets as a sign of their acceptance of her. Her hair is slightly inspired by Wonder Woman's from the 1970s Super Friends series. The blue pants and red boots acknowledge her connection to Superman and she still bears his symbol. I also really loved what Jeph Loeb did with Kara and would like to see more of that reflected in her attitude and dress. Anything likely to hurt Supergirl would be more than likely to hurt such a uniform, but I love the idea of Kara playing bullets and bracelets with kryptonite bullets, which since her arrival on Earth have been in plentiful supply (check your local K-Mart...you never know). While I believe a lot of said Kryptonite has been locked away for Kryptonian protection, it'll only be a matter of time before the vault explodes and every petty villain will have kryptonite in their backyard. Again. Part of Supergirl's role in the DCU is to act as a balance to her cousin and an inspiration to young women everywhere. In a sense she's a kind of cheerleader or as some prefer "inspiration leader". With that in mind I wanted something cute, and with a skirt and cape. I'm not against either if used properly. Skirts should be at the minimum mid-thigh and accompanied with hot pants or some similar piece of underclothing that you will look decent in when you are inevitably exposed. Capes require a suspension of disbelief for a variety of reasons but they still look good on a hero so we accept them most of the time. Also if composed of Kryptonian fabric the cape affords a shield of invulnerability that is useful in protecting innocent bystanders. I decided to make a nod to her connection to Power Girl in terms of colour scheme while still using to small "S-shields" to anchor her cape, and remind us of her cousin and origin. I kept the gold trim of the Turner design but changed the boots to white. While I recognize for most people white boots are problematic, these are Kryptonian boots which are indestructible, so a quick blast of heat vision or super breath will keep them looking clean and pristine. If Superman is the world's biggest Boy Scout than Supergirl should have at least a dash of Girl Scout, and I like the look of her as the world's deadliest cheerleader. I think it was Peter David who spoke of the Supergirl we all love and remember as the 1960s-70s Supergirl full of innocence and joy and ready to fall in love with any handsome super-villain she could find. Peter David's run on Supergirl was amazing, and while Kara Zor-El was not the title character her presence resonated throughout the series. You should read it (though only two TPBs were released the first one simply called "Supergirl" introduces us to Matrix and tells the story of how she becomes Linda Danvers, and the second, "Supergirl: Many Happy Returns" introduces Linda Danvers to Kara Zor-El). At any rate I digress, though good stories artist Ed Benes in the second TPB transforms Linda's skirt into little more than a spandex belt. The last thought on Kara that I have is actually Kara Zor-L, or perhaps as she's better known--Power Girl. For a long time she's been unable to publicly acknowledge her ties to both Krypton and the House of El (or L). Now everyone knows she's the Earth Two Superman's cousin from an alternate dimension, here as a powerhouse in the JSA and now appearing in her own eponymous monthly title. So I thought an addition was an order. I know it's a big gag in the comics world--the size of Power Girl's boobs and that her boobs are her symbol, but I think it's a little old. She can have an "S" and still bare a bit of chest, and while we're at it, notched bottoms--NO THONGS. I really quite like Power Girl and really enjoy Amanda Conner's art--I'm looking forward to reading it. I am very far behind on my comic book reading and have a week's worth of reading to do to catch up. I'm also collaborating on my own original works including an online comic or two and some animated stuff, but more on that later. So between chipmunks, hunting for Sasquatch and all the rest, the Fashion Sentinel has been a little busy as of late. But not so busy that I haven't been constantly attempting to locate my many and various targets. As the Fashion Sentinel I often feel it is part of my duty to avenge the costume crimes committed against the various heroes and villains I target. After all, its not their fault if they look bad, they're just drawn that way. Sometimes it seems to me that the artists and writers aren't giving the characters the portray enough respect, and with that we come to my latest target in need of avenging. TARGET ACQUIRED: Wanda Maximoff AKA the Scarlet Witch and member of the Avengers.
Superman, Supergirl, Power Girl, Wonder Woman, Kara Zor-El, Kara Zor-L, Linda Danvers, Matrix and all related symbols, insignia, costumes etc, are all © Trademarks of DC Comics and the images reproduced here are used only as examples of my ideas for various costumes and the promotion of DC Comics
Alpha Flight, the Scarlet Witch, the Avengers and all related symbols, insignia, costumes etc, are all © Trademarks of Marvel Comics and the images reproduced here are used only as illustrations for the purpose of costume critique and the promotion of Marvel Comics

Friday, June 19, 2009

Emma Frost, looking back...

Emma Frost was created by writer Chris Claremont and artist John Byrne and as you can see here in this picture by Jim Lee there wasn't a lot to her costume. Emma has already violated both rules #1 and #2 with her thong, and at this point in her career she's very vulnerable to bullets, knives, punches, and other physical violence, provided you could get close to her. It doesn't make a lot of sense considering the male members of the Hellfire Club wore period clothing that looked 18th century while the female members wore 19th century corsets and modern day thongs with riding boots and fur trimmed capes. Maybe all comic book artists should be required to wear thongs if they draw women in them so they can understand, at the least, how distracting or uncomfortable they can be. Nevertheless this look has proved incredibly popular despite it's many inherent flaws and continues to be portrayed in other media. She wore this outfit in the 1990s X-Men cartoon and has been seen in it again as recently as Whedon and Cassaday's run on Astonishing X-Men. There was a comiquette (designed by Adam Hughes) that features her in this outfit. She is of course dropping her cape to reveal her thong, and as if the naked flesh wasn't enough they've used a glossy paint on her skin tone so it looks like she's been oiled. While she may have spent some time as a stripper whilst infiltrating the Hellfire Club she was Chairman of the Board and CEO of Frost International which helped to fund the Hellfire Clubs' activities and you expect me to believe she would dress like this? There must have been some deep seated need for attention she was gratifying in order to justify wearing this that being the CEO of an International Corporation and one of the most powerful telepaths on the planet couldn't provide. What that was, you'll have to ask Claremont and Byrne, because I have no clue. To put it in perspective she is also running a school for "gifted students" (aka mutants) and this is her battle gear? I don't think so. Emma's school was destroyed and the X-Men found her in a coma and through a series of events chronicled in the X-Men TPB "The Phalanx Covenant" she winds up becoming a teacher again, this time with the help of Charles Xavier and X-Man Banshee. Being a good guy caused her to have a costume change which resulted in what is probably my favorite White Queen costume. It consisted of a white corset, white pants, white thigh high boots, white jacket and for teaching purposes a white riding crop to use as a pointer. Finally it seemed she had come to her senses, but after some familial conflicts that led to her murdering one of her pesky sisters and Banshee's uncontrollable drunkenness the school closed down and she moved to Genosha to teach. Unfortunately Genosha was completely destroyed shortly thereafter and Emma was presumed dead, but she had developed a secondary mutation. Now able to transform her body into a diamond hard substance she joins the X-Men in part to replace fallen X-Man Colossus. As an aside using Emma in the X-Men was suggested to writer Grant Morrison on his website and he developed this secondary mutation to give her a place on the team. Of course joining the team meant a new costume and artist Frank Quietly was only to happy to comply. The costume he created brings us to Warrior Woman Rule #3 "Just say no to camel toe" which not even artist Greg Horn could render without still leaving me cringing. There was really no logic to it and I constantly wonder how her breast cups are supposed to stay on. Are they adhered somehow? And if so what happens to the adherent when she changes to diamond form? I just can't imagine fighting would be remotely comfortable in that outfit, and would question any member of my super hero team if they showed up for work dressed like that, ex-stripper or no. Thankfully it didn't last long and she was given pants and a trench coat to at least cover part of her shame, but did nothing to insure her top stayed on. It seems like no matter what Emma wears there must always be a level of erotica but please lets try and avoid the sleaze. It wasn't long before she was a leading X-Man and had successfully stole Jean Grey's husband (?) and someone must have pointed out the impracticality of breast cups or perhaps some sort of divine inspiration and she decided it was time for yet another outfit change. Don't kid yourself and think she's constantly changing outfits because of a limited colour palette, it just seems some superheroes change costumes more than others. While I might question the combo of corset and cape if for no other reason than sheer weight, the look is a definite improvement, seen here in a drawing by Michael Turner. She has pants, which I'm a big fan of and the cape can drape around her giving her slightly intimidating look. On the other hand she is wearing an off the shoulder top and midriff baring corset/cape ensemble and while she can read your mind and turn into a diamond she can't do both at the same time and all it takes is one lucky shot. Throughout most of this period she wears white lipstick, as seen here in a still shot from "Wolverine and the X-Men". White lipstick troubles me. On the one hand it certainly gives her a unique look as one of the few if not only women in comics to make that lipstick choice, and yes she is the White Queen, but white lipstick always calls to my mind images of 1970s hookers. This costume has been tweaked and appears with slight variations in several X-titles as well as the animated television series Wolverine and the X-Men (which is pretty awesome). However as of X-Men #513 all of this is changing as Emma Frost becomes leader of the all new, all deadly Dark X-Men. While the issues have yet to be released I've seen the cover and a sketch by Terry Dodson and I think the outfit looks good. This time she's changed her nom de guerre to the Black Queen and accordingly she's wearing all black. It seems Emma likes to work with a monotone colour palette. Once more we have a cape/top combo only she's added an inverted triangle midriff peekaboo and black shiny pants and seemingly a pair of boots/shoes. It will be interesting to see how this fashion choice affects her as former Black Queens Selene and Emma Steed are both still wandering around Earth 616 and might take issue with it. On the other hand, her Black Queen outfit is better than either of theirs, at least in my humble opinion. Choosing to become the Black Queen will also likely cause all sorts of problems for Emma in her relationship with Scott Summers, but I suspect that's the point. At least this new outfit commands some respect and if she's going to add Leader of the Mutants to her long list of titles she needs to make sure she doesn't look like trash because she has to appeal to more than just the western world. It definitely looks like it'll be a very interesting read, as most of the Dark Reign stuff has been so far. Marvel is doing some really interesting things and I look forward to seeing what will come not only of Emma's fashion choices but her other choices as well. In my next post I'll reveal a couple of my own designs for possible Emma costumes--but I'm still in love with the White Queen. In the meantime, here's a couple more pictures of Emma through the ages...


















(Image credits going clockwise from left to right: Frank Quietly, Phil Jimenez and Terry & Rachel Dodson for the last two--I apologize to inkers and colourists whose names I don't know)

Emma Frost, the White Queen, the Black Queen, the X-Men and all related symbols, insignia, costumes etc, are all © Trademarks of Marvel Comics and the images reproduced here are used only as illustrations for the purpose of costume critique and the promotion of Marvel Comics